|Bindi Irwin as Nim, from Return to Nim's Island movie poster|
I know that tying in a film to a book sequel sounds like the writer’s equivalent of a first world problem, but in fact we always need to be aware of how much we are, or want to be, swayed by other people’s comments and interpretations, from editors to illustrators, cover artists and even readers. I didn’t actually plan Nim as an eco-warrior, but the way that she and Jack live means that she’s interpreted as one. It seems so logical to me now that I have to remind myself it simply evolved naturally, as it probably would have if she were real.
My only physical description of Nim in any of the books is ‘her hair is wild and her eyes are bright.’ But of course I have my own vision of her: a wiry, dark haired, almost elfin girl, and I kept that through the first two books, even though I enjoyed imagining how Kerry Millard might illustrate something.
|Kerry Millard's interpretation of Nim|
|Wendy Orr, Abigail Breslin, Kerry Millard|
Then the films came,
and there were real people, in flesh and blood, both the people I met off
camera, and the way they were portrayed on screen and covers. By the time I
started Rescue on Nim’s Island, I’d
had 5 years of seeing Abigail Breslin being so completely Nim that it was
difficult to return to my own vision.
|Abigail Breslin as Nim|
It was only when I’d seen Bindi Irwin on location, portraying
Nim differently but equally convincingly,
that I could free myself up and remember my mantra that characters are however
you interpret them: if they could both be Nim, my own vision could be too.
|Bindi Irwin, Wendy Orr|
It took me a while to find my way with Rescue on Nim’s Island and that’s what I think is relevant to all of us. I had to really go back to basics instead of planning plots that I thought were terribly filmic, to which the film producer kept saying, ‘But that doesn’t really sound like you, or Nim.’
|Geoff's Kelly interpretation of Nim|
I had to slow down, dream around it, and gradually
discover the story in the usual organic way that I work. I reread the first
books and got into the rhythm. Nim is a year older in each book, and I felt
that she was growing naturally. She’s still herself. She’s more quick-tempered
than either Abbie or Bindi are in real life, though slightly less pugnacious
than the Nim of the second film. She’s the girl that was obviously born of some
part of me, when I started writing her in 1998. Or maybe further back, when I
wrote the prototype when I was 9. So if there’s a moral, I think it’s simply,
let your characters grow and develop, but always be true to who they are at
*This is an edited excerpt of a talk I gave at the SCBWI meeting at Flinders on 6 September, 2014.
Labels: abigail breslin, Bindi Irwin, book to film, characters in fiction, creating book characters, creating characters, Geoff Kelly, Kerry Millard, Nim's Island, SCBWI